It's not that it's soul-crushingly bad, but it's just not good and it for one reason or another feels like it's completely mistaken silly for entertaining. It's not a perfect sequel, but it's a good sequel. The core story, however, does have some issues, but not enough that these other factors can't elevate it. The Cold War setting is unique, the action is good, and the performances are excellent. And that's the biggest thing I can say with Wonder Woman 1984, there is fun to be had. Nothing on par with the no man's land scene in the first one, but still, there is fun to be had here. It's also just nice to see her kick ass, and this is a gorgeously directed movie with some pretty stellar action scenes. She has a stronger understanding of this world now, and it's nice to see her development. But what really pulls the movie ahead above all else is, of course, Wonder Woman herself. I know they really wanted him back, and he's great in the movie, but the way he's brought back via bodily hijacking is just a bit too creepy and forced. I would really have liked to see more of her in full Cheetah but she's pretty good. For the other villain, Kristen Wiig, she's pretty good. However, Pedro Pascal as the antagonist using the stone elevates the whole thing to a great level of fun. The weird wishing stone artifact that the film surrounds itself on is confusing at best and all too often just plain silly. The morals of the film are a little wonky, and just the very nature of the conflict is a bit strange. Well this movies reception really went all over the place didn't it? For me though, while it's not as good as the first one, it is still an enjoyable sequel that is a great stage for Gal Gadot as Wonder Woman. Rating: PG-13 (Violence|Sequences of Action) But soon, Diana will have to muster all of her strength, wisdom and courage as she finds herself squaring off against Maxwell Lord and the Cheetah, a villainess who possesses superhuman strength and agility. Though she's come into her full powers, she maintains a low profile by curating ancient artifacts, and only performing heroic acts incognito. Diana Prince lives quietly among mortals in the vibrant, sleek 1980s - an era of excess driven by the pursuit of having it all.
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